At Music House, our approach to private singing lessons embraces the music that our students love. It's a reimagined, modern approach -- one that emphasizes the use of new skills and knowledge in real musical situations. Let's face it, singers need to sing. That's why all of our voice lesson students are encouraged to perform in our auditorium, join one of our Workshop Bands and attend our free weekend community music classes. The combination of our innovative curriculum, experienced faculty, and countless opportunities for musical exposure creates an ideal environment for any budding singer. There's nothing else like Music House in Kansas City.

Isabel is very professional and fun to work with. In our first few lessons, we worked on solidifying some basic fundamentals of singing (proper breathing, posture, etc.) and have since moved on to some simple songs/arias. She is a wonderful teacher for beginners like me, but with her skill level, I can see her as being an exceptional teacher for more advanced students as well.


At the lesson studio, we are the nations largest lesson provider. We do over 1 million lessons per year nation wide. Every instructor is background checked and certified by degree or the community (meaning that they have taught for years and have proven passionate/effective teachers). Each lesson is custom tailored to meet the needs of each unique player. We have musicians of all ages taking lessons at Music & Arts. Beginning about seven years old and up.  ... View Profile
I am taking the bluegrass singing course and I find it excellent.Easy to follow, starts where it should and has a huge range of challenge in the one course.If I could I'd quit my job and study it all day.The video feedback is an excellent addendum and I'd recommend this to anyone even a seasoned player just wanting to sharpen up. A true fan I am I am....
I teach group lessons for newborn to 9 1/2 yrs: newborn - 18 mos, 18 mos - 3 1/2 yrs, 3 1/2 - 4 1/2 yrs, 4 1/2 - 61/2 and group Piano lessons for ages 6 1/2 to 9 1/2. I have taught young children for 25 years at 1st Methodist Church in Grapevine. We sing, dance, and play instruments. We work on duple and triple meter as well as learn solfeggio.  It's fun and educational! 
Rodolfo is as good as it gets. He is a highly experienced teacher who has been studying the voice for years. He knows the ins and outs of every component of the voice, and strictly focuses on technique, and his training regime reflects this. More so, he has worked with students all across the music spectrum in all genres, and cares GREATLY about your future as a musician, and works selflessly to help you achieve your personal goals with music. I've taken 3 lessons with Rodolfo, and my voice has improved incrementally already. LOOK NO FURTHER, trust me!

I am a Grammy Award winner Music Producer and Studio vocalist. I have worked with Shakira and Julio Iglesias. Graduated from Berklee College of Music in Boston. I have done many recording sessions in Miami, Boston, Los Angeles, Spain. I speak fluent English and Spanish. I have developed a vocal technique that has helped many students and professional singers. www.paulhoyle.com Facebook:https://www.facebook.com/PaulHoyleMusicProductions/ LinkedIn: https://www.linkedin.com/in/paul-hoyle-89397110/ ... View Profile


Correct breathing for singers begins with a spontaneous open breath.  Upon inhalation, if ones hands are placed on the stomach - an inch below belly button, the hands will be pushed out by stomach muscles.  The singer's shoulders should be relaxed and not move up.  Neck and jaw should be relaxed.  Jaw needs to be unhinged.  Phonation begins with the movement of the stomach inward, where one is singing while pulling the stomach muscles in.  This is called "singing on the breath."  The phonation ends with the release of the abdominal muscles.  It's important to note that phonation should be ended with the release of the abs and not in one's throat, which is vocally abusive.
In 2011, Ms. McMurtery performed the role of Papagena in a concert version of Mozart's Die Zauberflöte with New York Lyric Opera. In 2010, she performed in St. John's, Newfoundland as a participant in the Opera on the Avalon summer training program. Other operatic roles performed include Susanna (Le nozze di Fiagro, Mozart), Sister Dolcina (Suor Angelica, Puccini), Poppea (L'incoronazione di Poppea, Monteverdi), Héro (Béatrice et Bénédict, Berlioz), Mercedes (Carmen, Bizet), and Ännchen (Der Freischütz, C.M. von Weber). Also a frequent recitalist, she performed as the soprano soloist for the Hugo Wolf/Goethe Project in New York, NY for the (re:) Directions Theater Company in 2010. Other studies abroad include the Florence Voice Seminar, in Florence, Italy (2007 and 2005), and at the Carl Maria von Weber Hochschule für Musik in Dresden, Germany (2002). Ms. McMurtery holds a Master of Music degree in Voice Performance and Pedagogy from Westminster Choir College of Rider University (2006) and a Bachelor of Music degree in Voice Performance and German from DePauw University of Greencastle, Indiana (2004).
30 Day Singer is an online video course, with 30 videos of content (plus a BONUS course with seven additional videos!). Each day you watch a new video, and each day the videos get slightly more difficult. In each video your instructor will start with some warmup exercises, then you will work on strength-building and technique. The important part is that you follow-along with your instructor the whole time, so you always know exactly what to do.

Do both boys and girls experience voice breaks and cracks as they learn to sing? Find out in this guest post by Ocala, CA teacher Angie Q....   One common question I get asked by my students is: Do both girls and boy students go through a vocal change? The answer is yes. I have been teaching voice lessons to both boys and girls (of all ages) for more than 15 years. Here's how it breaks down: Boys Boy voices start to change during the first stages of puberty and can progres
Singing isn’t a skill limited by age, but rather by your level of determination and hard work. Both young and older students have their own advantages.For example, a younger student will have more time to develop his or her voice, while an older student will more easily pick up on difficult skills like sight reading. Students of all ages are encouraged to join our online singing classes!  
Reverb Lessons is on a mission to make learning to play, sing or create music as easy as possible. Unlike a traditional music lesson company, Reverb Lessons has designed its customer experience around you: simply sign up online, book a time with your instructor and explore your creative side. You have the choice of taking lessons online, at the instructor's location, or at your place — whatever works best for you. All payment is taken care of head of time, so no need to worry about having cash for your lesson. Reverb Lessons puts all of its teachers through a rigorous interview process, ensuring that only the best instructors help you learn t ... View Profile
In 2011, Ms. McMurtery performed the role of Papagena in a concert version of Mozart's Die Zauberflöte with New York Lyric Opera. In 2010, she performed in St. John's, Newfoundland as a participant in the Opera on the Avalon summer training program. Other operatic roles performed include Susanna (Le nozze di Fiagro, Mozart), Sister Dolcina (Suor Angelica, Puccini), Poppea (L'incoronazione di Poppea, Monteverdi), Héro (Béatrice et Bénédict, Berlioz), Mercedes (Carmen, Bizet), and Ännchen (Der Freischütz, C.M. von Weber). Also a frequent recitalist, she performed as the soprano soloist for the Hugo Wolf/Goethe Project in New York, NY for the (re:) Directions Theater Company in 2010. Other studies abroad include the Florence Voice Seminar, in Florence, Italy (2007 and 2005), and at the Carl Maria von Weber Hochschule für Musik in Dresden, Germany (2002). Ms. McMurtery holds a Master of Music degree in Voice Performance and Pedagogy from Westminster Choir College of Rider University (2006) and a Bachelor of Music degree in Voice Performance and German from DePauw University of Greencastle, Indiana (2004).
At School of Rock, we teach private singing lessons in conjunction with weekly band rehearsals meant to build confidence and teamwork. While we do offer private singing instruction, we strongly encourage students to play in band rehearsals as a way of exploring group dynamics, and get the chance to find out what it's like to sing lead vocals for a rock band.
There are five main things that can make a huge difference in the quality of music instruction your child receives, the amount of extra work and hassles the parents must deal with, and the overall enjoyment and satisfaction of being involved with a music program. Here are 5 things that every parent should consider before deciding on a music studio for their child. 1.  Are Music Studios Sound Insulated? Out attractive music studios are also sound insulated with observation window and doors to give students and parents a sense of “open doors” comfort and security.  It also gives parents an opportunity to observe how th ... View Profile
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