Selecting the right repertoire is a big part of a successful audition -- but be careful, as there are so many overdone musical theatre audition songs out there. Here, Molly R. shares six songs to avoid... and what to try instead! With musical theatre auditions, often the toughest part isn't the audition itself, but instead making a decision on what to sing. Im here to help narrow it down by telling you what NOT to sing in an audition -- the overdone musical theatre audition songs.
It is very important to have daily practice so that the techniques learned in lessons are retained. Regularity is more valuable than duration, especially at the beginning of taking lessons. Practice time can range based on the level of the student from 15 minutes to 3 hours a day. Our teachers will work with students to come up and recommend a practice schedule for students.
Singing isn’t a skill limited by age, but rather by your level of determination and hard work. Both young and older students have their own advantages.For example, a younger student will have more time to develop his or her voice, while an older student will more easily pick up on difficult skills like sight reading. Students of all ages are encouraged to join our online singing classes!
Rodolfo is as good as it gets. He is a highly experienced teacher who has been studying the voice for years. He knows the ins and outs of every component of the voice, and strictly focuses on technique, and his training regime reflects this. More so, he has worked with students all across the music spectrum in all genres, and cares GREATLY about your future as a musician, and works selflessly to help you achieve your personal goals with music. I've taken 3 lessons with Rodolfo, and my voice has improved incrementally already. LOOK NO FURTHER, trust me!
Lots of singers, even professionals, take singing lessons because they experience pitch problems. They are easy fixed with this vocal approach. If your musical ear is fine, the issue is with one or more of the following: 1. Lack of correct breath support. 2. Presence of moving vowels or lack of gradations. 3. Singing of improper or heavy consonants.
I love teaching Salsa because I certainly know it would bring happiness to my students. I always teach to my students to understand the rhythm and the music of what they are dancing, I teach them to listen, so they can afterwards without any doubt fall in to the rhythm without any problem. In my experience Salsa saved me a couple of times from quiting school, it took me to Europe and was the reason of meeting friends for life, family. I studied 2 years Jazz and Tap in Mexico. Later I taught as a instructor for the company Rumba Azteca in Guanajuato, Mexico and became a member of the staff of dancers for SalsaSi Dance Company in Kr ... View Profile
Please do not pass over this course when you see that it covers the ANATOMY of singing. Roma starts at the beginning because that is how we learn, at the beginning. I am not new to singing but was feeling rusty on my skills/knowledge. She includes so much information that you get to print and keep forever, including a vocal warm-up cd that you may download. Sometimes she is on video for warm-ups and talks to you like you are in the room with her. I recommend this course to anyone and everyone.
The instruction in the Michael Daves vocal school is well thought out with each lesson building on the previous one. Not only is it a vocal school but you get to brush up on guitar skills as well. His lessons, without wasted talk, put the student right to work. The extra videos and interviews with musicians are an appreciated added bonus. Michael clearly has a grasp of what is needed to be an educator.