Jeannie Deva helped thousands around the world to improve their vocal performance as one of the top Voice and Performance Coaches in the world. Her clients included Grammy Award winners, multi-platinum recording artists and leads in iconic Broadway shows. She was a member of the Grammy committee, published author, clinician, vocal producer and founder of The Deva Method® used by singers and voice teachers around the world. As a session vocal coach she worked with producers and engineers for such luminaries as Aerosmith, The Rolling Stones, The Cars and Amy Winehouse. Jeannie taught at ArtistWorks until she passed in 2016.
Have you ever wanted to hit high notes with ease? Join this class to learn how to perform with confidence, expand your range, and choose songs that compliment your unique voice. Come with a song in mind that you’d like to work on, and you’ll receive expert feedback to help you improve. You’ll also learn new tips to make progress each week and by the end of this class, we’ll be able to bring it all together and see the difference in your voice.
I spent five nights per week on stage for 25 years singing broadway music. I have over 30 years of performance, production, direction, recording, and on stage experience, having performed in literally hundreds of shows.I studied acting and music at Santa Fe University of Art & Design, and have studied with Carol Burnett & Samuel L. Jackson. I have more than 20 recordings out and own my own recording production studio, with multiple rock/pop/broadway/country albums released. I am also a licensed high school theatre and music teacher. As for on stage, I teach focus and relaxation. I am skilled at stage pesentati ... View Profile
Correct breathing for singers begins with a spontaneous open breath. Upon inhalation, if ones hands are placed on the stomach - an inch below belly button, the hands will be pushed out by stomach muscles. The singer's shoulders should be relaxed and not move up. Neck and jaw should be relaxed. Jaw needs to be unhinged. Phonation begins with the movement of the stomach inward, where one is singing while pulling the stomach muscles in. This is called "singing on the breath." The phonation ends with the release of the abdominal muscles. It's important to note that phonation should be ended with the release of the abs and not in one's throat, which is vocally abusive.
I had struggled with my singing for a while, and thought i was losing what talent i had. I bought this book to see if it would help me a little. It is maybe the second or the third of its kind i have bought over the years, so i didn't have my hopes too high. Well, it helped me SO MUCH. My voice has improved so much in a short time. I have really stretched my vocal cords using her techniques. I actually really enjoyed the whole process, and no longer feel like my singing talent is dwindling. My voice is getting stronger. I love the exercises and particularly the breathing techniques.