Being able to perform is a big part of sharing a special skill that students have developed. It takes practice and we want to reward and recognize our students. We have free twice a year recitals for all our students at such acclaimed venues like the McDavid Studio at Bass Hall and various other performance opportunities for our group class students at venues such as the Wood Shed Smoke House on the river, Central Market, & TV famous Chef Pointe for the students to jump into. 
Selecting the right repertoire is a big part of a successful audition -- but be careful, as there are so many overdone musical theatre audition songs out there. Here, Molly R. shares six songs to avoid... and what to try instead!   With musical theatre auditions, often the toughest part isn't the audition itself, but instead making a decision on what to sing. I’m here to help narrow it down by telling you what NOT to sing in an audition -- the overdone musical theatre audition songs.
I had struggled with my singing for a while, and thought i was losing what talent i had. I bought this book to see if it would help me a little. It is maybe the second or the third of its kind i have bought over the years, so i didn't have my hopes too high. Well, it helped me SO MUCH. My voice has improved so much in a short time. I have really stretched my vocal cords using her techniques. I actually really enjoyed the whole process, and no longer feel like my singing talent is dwindling. My voice is getting stronger. I love the exercises and particularly the breathing techniques.
I take a physiological approach to singing... after all it is a physical endeavor.  The voice or larynx, despite all its complexities, is just another set of muscles that can be trained to reach its fullest potential.  The method that I teach, “The Franco/Italian Bel Canto Method” has been taught in Europe for more than 200 years and has produced the world’s greatest classical singers.  Now having said that let me assure you studying this method doesn’t mean that you have to become a classical singer.  The techniques used are designed to strengthen and improve the quality of the human voice and can be applied to any genre ... View Profile

Being able to perform is a big part of sharing a special skill that students have developed. It takes practice and we want to reward and recognize our students. We have free twice a year recitals for all our students at such acclaimed venues like the McDavid Studio at Bass Hall and various other performance opportunities for our group class students at venues such as the Wood Shed Smoke House on the river, Central Market, & TV famous Chef Pointe for the students to jump into. 
Our philosophy is simple. We make learning music fun, and are committed to the integrity of a quality music education. In addition to a foundational education, students are given ample opportunity to make music with others. The confidence gained by learning music parlays with other areas, giving students the self-assurance to take on new challenges.
Correct breathing for singers begins with a spontaneous open breath.  Upon inhalation, if ones hands are placed on the stomach - an inch below belly button, the hands will be pushed out by stomach muscles.  The singer's shoulders should be relaxed and not move up.  Neck and jaw should be relaxed.  Jaw needs to be unhinged.  Phonation begins with the movement of the stomach inward, where one is singing while pulling the stomach muscles in.  This is called "singing on the breath."  The phonation ends with the release of the abdominal muscles.  It's important to note that phonation should be ended with the release of the abs and not in one's throat, which is vocally abusive.

I had struggled with my singing for a while, and thought i was losing what talent i had. I bought this book to see if it would help me a little. It is maybe the second or the third of its kind i have bought over the years, so i didn't have my hopes too high. Well, it helped me SO MUCH. My voice has improved so much in a short time. I have really stretched my vocal cords using her techniques. I actually really enjoyed the whole process, and no longer feel like my singing talent is dwindling. My voice is getting stronger. I love the exercises and particularly the breathing techniques.
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