I had struggled with my singing for a while, and thought i was losing what talent i had. I bought this book to see if it would help me a little. It is maybe the second or the third of its kind i have bought over the years, so i didn't have my hopes too high. Well, it helped me SO MUCH. My voice has improved so much in a short time. I have really stretched my vocal cords using her techniques. I actually really enjoyed the whole process, and no longer feel like my singing talent is dwindling. My voice is getting stronger. I love the exercises and particularly the breathing techniques.
Depending on the program, School of Rock's singing lessons can cost from around $150 to $350 per month. Exact prices may vary between locations. Unlike most hourly singing lessons, our programs include weekly private singing lessons and group rehearsals that inspire confidence and teamwork. Vocal students are also welcome to use our facilities whenever we're open, even if they just want to hangout and learn from or collaborate with other musicians.
With 39 years of experience, I offer lessons in the following: Preschool Music Classes Piano for ages 4 - 104 Mommy -and-Me Music Classes Voice (Singing) for ages 4-104 Theory - beginning through college level lessons Improvisation lessons Creative Hymn Improvisation lessons Composing Music lessons Arranging Music lessons www.MusicalNotables.com www.Facebook.com/MusicalNotables Musical Notables Studio is the name of my business, where students enjoy skillfully mastering music. ... View Profile
Lots of singers, even professionals, take singing lessons because they experience pitch problems.  They are easy fixed with this vocal approach.   If your musical ear is fine, the issue is with one or more of the following:  1.  Lack of correct breath support.  2. Presence of moving vowels or lack of gradations.  3. Singing of improper or heavy consonants.
Students in School of Rock's Adult Program (18-years-old and up) learn scales, how to keep tempo, and how to stay on-key as well as more advanced vocal techniques like voice sustainability. Vocalists hone their skills by learning how to sing popular rock songs in private singing lessons for adults, group rehearsals, and full band sessions. With expert training from our professional vocal coaches and the support of their band, singers lead up to live performances on stage.
Artist works provides an amazing format. A student can spend hours going through the curriculum and practising in a systematic way. The curriculum makes sense; it builds progressively from foundational lessons to lessons that are more elaborate. There are guests and additional material from festivals added regularly. The opportunity to converse and demonstrate one's skill level with the Musicians / teachers is invaluable. In my experience both Michael Dave's and Bryan Sutton are incredibly engaging, attentive to detail, supportive, and just generally awesome people to exchange videos with and to learn from.
Please do not pass over this course when you see that it covers the ANATOMY of singing. Roma starts at the beginning because that is how we learn, at the beginning. I am not new to singing but was feeling rusty on my skills/knowledge. She includes so much information that you get to print and keep forever, including a vocal warm-up cd that you may download. Sometimes she is on video for warm-ups and talks to you like you are in the room with her. I recommend this course to anyone and everyone. 

Many 4-year-olds love to sing, but they likely lack the focus for formal voice lessons. However, it's not too early to begin teaching your child musical concepts that will be important once they are old enough for singing instruction at School of Rock. Your 4-year-old can participate in the Little Wing music program to learn fundamental concepts through fun, dynamic musical activities. 

the hopes he might change his mind, we went ahead with the lesson. Julia stayed professional, calm, and warm through the whole session, despite my son's lack of enthusiasm, and she tried everything to make him comfortable. She told him that the fear of singing in front of people is very normal, explained how lessons would work were he to continue, and gave a bunch of very helpful tips on singing AND piano in terms a 12 year old understands. Hopefully he will decide this is something he wants to do after all. Julia was obviously very knowledgeable, talented, and great with kids, and I hope we can continue lessons with her."

Being able to perform is a big part of sharing a special skill that students have developed. It takes practice and we want to reward and recognize our students. We have free twice a year recitals for all our students at such acclaimed venues like the McDavid Studio at Bass Hall and various other performance opportunities for our group class students at venues such as the Wood Shed Smoke House on the river, Central Market, & TV famous Chef Pointe for the students to jump into. 
I take a physiological approach to singing... after all it is a physical endeavor.  The voice or larynx, despite all its complexities, is just another set of muscles that can be trained to reach its fullest potential.  The method that I teach, “The Franco/Italian Bel Canto Method” has been taught in Europe for more than 200 years and has produced the world’s greatest classical singers.  Now having said that let me assure you studying this method doesn’t mean that you have to become a classical singer.  The techniques used are designed to strengthen and improve the quality of the human voice and can be applied to any genre ... View Profile

I am a Grammy Award winner Music Producer and Studio vocalist. I have worked with Shakira and Julio Iglesias. Graduated from Berklee College of Music in Boston. I have done many recording sessions in Miami, Boston, Los Angeles, Spain. I speak fluent English and Spanish. I have developed a vocal technique that has helped many students and professional singers. www.paulhoyle.com Facebook:https://www.facebook.com/PaulHoyleMusicProductions/ LinkedIn: https://www.linkedin.com/in/paul-hoyle-89397110/ ... View Profile
My teaching approach: I tailor my lessons to fit the students goals. Beginner students want to learn songs, not theory. So I get the student playing /singing before I focus on scales and theory. I want to teach the student what they want to learn as well as giving them the skills to be a good musician/vocalist. I also determine what your learning style is, so that I can effectively teach you in the way you learn best. I have over 14 years teaching experience in guitar and voice, and I teach songwriting and ukulele as well.  I've been performing locally and internationally for over 7 years. My influences are: The Beatles, Bob Dylan, Patty ... View Profile
I take a physiological approach to singing... after all it is a physical endeavor.  The voice or larynx, despite all its complexities, is just another set of muscles that can be trained to reach its fullest potential.  The method that I teach, “The Franco/Italian Bel Canto Method” has been taught in Europe for more than 200 years and has produced the world’s greatest classical singers.  Now having said that let me assure you studying this method doesn’t mean that you have to become a classical singer.  The techniques used are designed to strengthen and improve the quality of the human voice and can be applied to any genre ... View Profile
Selecting the right repertoire is a big part of a successful audition -- but be careful, as there are so many overdone musical theatre audition songs out there. Here, Molly R. shares six songs to avoid... and what to try instead!   With musical theatre auditions, often the toughest part isn't the audition itself, but instead making a decision on what to sing. I’m here to help narrow it down by telling you what NOT to sing in an audition -- the overdone musical theatre audition songs.
We also offer the option for students to take piano lessons in addition to their voice lessons. Adults will find this useful because basic piano skills will enable them to accompany themselves while playing as well as with music theory and songwriting. Younger students will also find the piano lesson addition to be very valuable.  Advanced vocal technique can't fully be addressed and taught unless the voice has matured so the technical portion of the lesson in younger children is limited. By learning to play an instrument simultaneously students get the opportunity to development musicianship and musical understanding in tandem with their vocal training.  Besides, all of the modern observations about the benefits of learning music have been observed on those who were playing an instrument and reading notes....and who wouldn't want that for their child?     
My experience in singing begins in 2005 in a youth chorus of my city in Mérida Venezuela. I started singing and vocal technique studies in that group, I sang some choral symphonies and I won prizes in my country of origin. Then in 2008 it became part of the Cantoria de Mérida group that allows me to deepen my knowledge in the area of ​​academic singing. I received singing lessons with teachers who in turn received their training in Europe specifically in Catalonia Spain. There I made a number of symphonic choral productions and toured certain countries in Latin America and Europe represented Venezuela and in 2013 it won prizes a ... View Profile

In 2011, Ms. McMurtery performed the role of Papagena in a concert version of Mozart's Die Zauberflöte with New York Lyric Opera. In 2010, she performed in St. John's, Newfoundland as a participant in the Opera on the Avalon summer training program. Other operatic roles performed include Susanna (Le nozze di Fiagro, Mozart), Sister Dolcina (Suor Angelica, Puccini), Poppea (L'incoronazione di Poppea, Monteverdi), Héro (Béatrice et Bénédict, Berlioz), Mercedes (Carmen, Bizet), and Ännchen (Der Freischütz, C.M. von Weber). Also a frequent recitalist, she performed as the soprano soloist for the Hugo Wolf/Goethe Project in New York, NY for the (re:) Directions Theater Company in 2010. Other studies abroad include the Florence Voice Seminar, in Florence, Italy (2007 and 2005), and at the Carl Maria von Weber Hochschule für Musik in Dresden, Germany (2002). Ms. McMurtery holds a Master of Music degree in Voice Performance and Pedagogy from Westminster Choir College of Rider University (2006) and a Bachelor of Music degree in Voice Performance and German from DePauw University of Greencastle, Indiana (2004).
In 2011, Ms. McMurtery performed the role of Papagena in a concert version of Mozart's Die Zauberflöte with New York Lyric Opera. In 2010, she performed in St. John's, Newfoundland as a participant in the Opera on the Avalon summer training program. Other operatic roles performed include Susanna (Le nozze di Fiagro, Mozart), Sister Dolcina (Suor Angelica, Puccini), Poppea (L'incoronazione di Poppea, Monteverdi), Héro (Béatrice et Bénédict, Berlioz), Mercedes (Carmen, Bizet), and Ännchen (Der Freischütz, C.M. von Weber). Also a frequent recitalist, she performed as the soprano soloist for the Hugo Wolf/Goethe Project in New York, NY for the (re:) Directions Theater Company in 2010. Other studies abroad include the Florence Voice Seminar, in Florence, Italy (2007 and 2005), and at the Carl Maria von Weber Hochschule für Musik in Dresden, Germany (2002). Ms. McMurtery holds a Master of Music degree in Voice Performance and Pedagogy from Westminster Choir College of Rider University (2006) and a Bachelor of Music degree in Voice Performance and German from DePauw University of Greencastle, Indiana (2004). 

There is not a more powerful tool in building confidence than overcoming the fear of public performance and public speaking. Vocal lessons teach students to control and train their body to relax while performing. Anxiety and performance-induced stress often translates into bad vocal performances. Many singers find themselves great singers in smaller, informal settings - in the recording studio or even the shower - and often find it challenging or impossible to reproduce the same quality performance in front of a larger audience.  Our teachers will teach you how to overcome this fear and to release your inner confidence and full musical potential.
Lots of singers, even professionals, take singing lessons because they experience pitch problems.  They are easy fixed with this vocal approach.   If your musical ear is fine, the issue is with one or more of the following:  1.  Lack of correct breath support.  2. Presence of moving vowels or lack of gradations.  3. Singing of improper or heavy consonants.
There are five main things that can make a huge difference in the quality of music instruction your child receives, the amount of extra work and hassles the parents must deal with, and the overall enjoyment and satisfaction of being involved with a music program. Here are 5 things that every parent should consider before deciding on a music studio for their child. 1.  Are Music Studios Sound Insulated? Out attractive music studios are also sound insulated with observation window and doors to give students and parents a sense of “open doors” comfort and security.  It also gives parents an opportunity to observe how th ... View Profile
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