Many 4-year-olds love to sing, but they likely lack the focus for formal voice lessons. However, it's not too early to begin teaching your child musical concepts that will be important once they are old enough for singing instruction at School of Rock. Your 4-year-old can participate in the Little Wing music program to learn fundamental concepts through fun, dynamic musical activities. 

There are five main things that can make a huge difference in the quality of music instruction your child receives, the amount of extra work and hassles the parents must deal with, and the overall enjoyment and satisfaction of being involved with a music program. Here are 5 things that every parent should consider before deciding on a music studio for their child. 1.  Are Music Studios Sound Insulated? Out attractive music studios are also sound insulated with observation window and doors to give students and parents a sense of “open doors” comfort and security.  It also gives parents an opportunity to observe how th ... View Profile
Now that you have warmed up your resonating chambers, you can try singing on other vowels to continue warming up the voice. The "Aah" sound is one of the hardest to produce - but you should be able to perform this without pressure or force if you are doing all these exercises in succession. This is because we have placed major focus on exercises that keep the feeling of the voice in the face, nose and mouth.
Promethean Studios offers beginner through professional level lessons, in all styles of music, on guitar, voice, piano, keyboard, electric bass, sax, flute, oboe, mandolin, ukulele, composition, song writing, music theory, praise and worship, and other areas.  We have taught thousands of students from around the world.  By using skilled, personable teachers, emphasizing music theory and instrumental and vocal technique, and allowing students to play and sing music they love, we’ve created an atmosphere of excellence, accomplishment, and enjoyment. We have a high success ratio with our students because they learn techniques th ... View Profile
Currently we have five voice teachrs on staff! The gamut of most msucial styles is covered quite well so that we can offer a teacher who is best suited to your msuical style and taste. The basic techniques of proepr singing are universal and all of our teachers are great at teaching beginners. Advanced student who have developed a solid technique may want to work with a teacher on a particular musical style, msuciality, expression, and perforamance presence. It is great to have the option to work with several teachers. 
The second half of the learning equation comes down to location. It takes a supportive environment to get great results, which is why we host our lessons in professionally-designed studio spaces. They're climate-controlled to keep you comfortable so you can maintain focus on the lesson, and acoustically-insulated so your voice will ring true and you can easily hear your progress from session to session. Of course, our lessons will provide you with plenty of insight and direction for practicing at home as well!
Selecting the right repertoire is a big part of a successful audition -- but be careful, as there are so many overdone musical theatre audition songs out there. Here, Molly R. shares six songs to avoid... and what to try instead!   With musical theatre auditions, often the toughest part isn't the audition itself, but instead making a decision on what to sing. I’m here to help narrow it down by telling you what NOT to sing in an audition -- the overdone musical theatre audition songs.
In 2011, Ms. McMurtery performed the role of Papagena in a concert version of Mozart's Die Zauberflöte with New York Lyric Opera. In 2010, she performed in St. John's, Newfoundland as a participant in the Opera on the Avalon summer training program. Other operatic roles performed include Susanna (Le nozze di Fiagro, Mozart), Sister Dolcina (Suor Angelica, Puccini), Poppea (L'incoronazione di Poppea, Monteverdi), Héro (Béatrice et Bénédict, Berlioz), Mercedes (Carmen, Bizet), and Ännchen (Der Freischütz, C.M. von Weber). Also a frequent recitalist, she performed as the soprano soloist for the Hugo Wolf/Goethe Project in New York, NY for the (re:) Directions Theater Company in 2010. Other studies abroad include the Florence Voice Seminar, in Florence, Italy (2007 and 2005), and at the Carl Maria von Weber Hochschule für Musik in Dresden, Germany (2002). Ms. McMurtery holds a Master of Music degree in Voice Performance and Pedagogy from Westminster Choir College of Rider University (2006) and a Bachelor of Music degree in Voice Performance and German from DePauw University of Greencastle, Indiana (2004).

Singing is a much more complex art than it first appears. It is near impossible to learn proficiently when just singing along to songs or looking at online resources. Private singing lessons will give you total attention from your vocal coach, in order for you to improve your voice quickly and effectively. Your voice teacher will also be able to see any weak points that a trainer of a choir or group class may not notice. This way, you will avoid developing bad habits that might impede your progress.
Isabel is very professional and fun to work with. In our first few lessons, we worked on solidifying some basic fundamentals of singing (proper breathing, posture, etc.) and have since moved on to some simple songs/arias. She is a wonderful teacher for beginners like me, but with her skill level, I can see her as being an exceptional teacher for more advanced students as well.
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