I bought this book as a last ditch effort to have a minimal competence in singing. My voice is in the bass range, which is fine for a chorus, but not much use for pop music today. I also, sang flat in my range (chest voice). My range was limited. I read the book up to about chapter 11. The business about the vowels and consonants; I did not think was useful. I put the book away for a week or so. One day I decided to try doing the boring exercises on the CD. I did it every day for 1 week. I did not notice a difference, until I tried a song that I play regularly and I was able to hit a note that I could never hit before. Also, being more aware of my breathing, I was able to show more vocal strength. Will I ever ... full review
Dallas has a long-running and ever-changing musical history. The downtown neighborhood of Deep Ellum came about in the late1800s as part of a huge blues movement, producing such influential acts as Blind Lemon Jefferson, T-Bone Walker, Lead Belly, and the incomparable master Robert Johnson. While Deep Ellum has seen a recent resurgence as a popular area for the music entertainment industry, love and celebration of music has spread throughout all of Dallas and its many suburbs over the years.
At Music House, our approach to private singing lessons embraces the music that our students love. It's a reimagined, modern approach -- one that emphasizes the use of new skills and knowledge in real musical situations. Let's face it, singers need to sing. That's why all of our voice lesson students are encouraged to perform in our auditorium, join one of our Workshop Bands and attend our free weekend community music classes. The combination of our innovative curriculum, experienced faculty, and countless opportunities for musical exposure creates an ideal environment for any budding singer. There's nothing else like Music House in Kansas City.
In 2011, Ms. McMurtery performed the role of Papagena in a concert version of Mozart's Die Zauberflöte with New York Lyric Opera. In 2010, she performed in St. John's, Newfoundland as a participant in the Opera on the Avalon summer training program. Other operatic roles performed include Susanna (Le nozze di Fiagro, Mozart), Sister Dolcina (Suor Angelica, Puccini), Poppea (L'incoronazione di Poppea, Monteverdi), Héro (Béatrice et Bénédict, Berlioz), Mercedes (Carmen, Bizet), and Ännchen (Der Freischütz, C.M. von Weber). Also a frequent recitalist, she performed as the soprano soloist for the Hugo Wolf/Goethe Project in New York, NY for the (re:) Directions Theater Company in 2010. Other studies abroad include the Florence Voice Seminar, in Florence, Italy (2007 and 2005), and at the Carl Maria von Weber Hochschule für Musik in Dresden, Germany (2002). Ms. McMurtery holds a Master of Music degree in Voice Performance and Pedagogy from Westminster Choir College of Rider University (2006) and a Bachelor of Music degree in Voice Performance and German from DePauw University of Greencastle, Indiana (2004).
Riley could not even look adults in the eye when speaking to them when Steve began teaching her at age 10. But by the time she graduated high school at 18, she had blossomed into a very powerful, skilled, and controlled singer who had starred in several school productions and won several awards and accolades such as the NJ NATS award and the NJ All-State Honors Choir.
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