I bought this book as a last ditch effort to have a minimal competence in singing. My voice is in the bass range, which is fine for a chorus, but not much use for pop music today. I also, sang flat in my range (chest voice). My range was limited. I read the book up to about chapter 11. The business about the vowels and consonants; I did not think was useful. I put the book away for a week or so. One day I decided to try doing the boring exercises on the CD. I did it every day for 1 week. I did not notice a difference, until I tried a song that I play regularly and I was able to hit a note that I could never hit before. Also, being more aware of my breathing, I was able to show more vocal strength. Will I ever ... full review
My teaching approach: I tailor my lessons to fit the students goals. Beginner students want to learn songs, not theory. So I get the student playing /singing before I focus on scales and theory. I want to teach the student what they want to learn as well as giving them the skills to be a good musician/vocalist. I also determine what your learning style is, so that I can effectively teach you in the way you learn best. I have over 14 years teaching experience in guitar and voice, and I teach songwriting and ukulele as well. I've been performing locally and internationally for over 7 years. My influences are: The Beatles, Bob Dylan, Patty ... View Profile
Breathing is much more complex than we realise. We do it every day without thinking - but what is really happening when we breathe, and is there a certain way to breath for singing? This lecture will demystify what is taking place in the body when you breathe. A description of how the intercostal muscles, the diaphragm, lungs and ribcage work together to produce breath effective for singing and speaking. Includes diagrams.
What ultimately sets these vocal training lessons apart from other offerings is the library of videos submitted by students using the ArtistWorks Video Exchange Learning® platform. Jeannie reviewed each submission and recorded a video response, offering specific guidance to the student to take their singing to the next level. All students can access the Video Exchange library and watch these interactions with the instructor. This comprehensive archive, combined with a library of guided, high quality video lessons, may contain the key to unlock your potential.
There is not a more powerful tool in building confidence than overcoming the fear of public performance and public speaking. Vocal lessons teach students to control and train their body to relax while performing. Anxiety and performance-induced stress often translates into bad vocal performances. Many singers find themselves great singers in smaller, informal settings - in the recording studio or even the shower - and often find it challenging or impossible to reproduce the same quality performance in front of a larger audience. Our teachers will teach you how to overcome this fear and to release your inner confidence and full musical potential.
A description of how the vocal folds produce sound, including photos of real live vocal folds! You will learn how they come together for phonation (singing/speaking etc), and what they are doing at rest. You will also learn where they are placed in the throat. This lecture will help you understand why good vocal technique is important, and behind a sore or inflamed throat (and how to avoid it if you can!)
Do both boys and girls experience voice breaks and cracks as they learn to sing? Find out in this guest post by Ocala, CA teacher Angie Q.... One common question I get asked by my students is: Do both girls and boy students go through a vocal change? The answer is yes. I have been teaching voice lessons to both boys and girls (of all ages) for more than 15 years. Here's how it breaks down: Boys Boy voices start to change during the first stages of puberty and can progres
Riley could not even look adults in the eye when speaking to them when Steve began teaching her at age 10. But by the time she graduated high school at 18, she had blossomed into a very powerful, skilled, and controlled singer who had starred in several school productions and won several awards and accolades such as the NJ NATS award and the NJ All-State Honors Choir.